James Earl Jones laid it out pretty clearly.
https://www.youtube.com/watch?v=z6U1p0hehtg
Inazuma wrote:Nah, I never found any good velcro shoes.
prfsnl_gmr wrote:Last night, my wife and I watched The Hitch Hiker (1953). It’s a well-made horror/noir that reminded me a bit of The Sadist (which features Arch Hall Jr.’s greatest performance), The Devil’s Rejects, From Dusk til Dawn, or any great horror/thriller movie where someone meets bad people in the American Southwest.
In it, two buddies out for a road trip pick up a hitchhiker who, as we’re shown in a pre-credits montage, has been callously murdering people as he makes his way toward Mexico. He holds the two men at gunpoint, and orders them to escort him to the eastern coast of the Baja Peninsula so he can escape to mainland Mexico. He makes no bones about the fact he’s going to murder them when they’re no longer useful to him; so, the movie is primarily about how the two men try to appear useful while simultaneously plotting an escape and impeding the murderer’s progress. It really is quite a tense movie, especially for the era, and I recommend it easily. (It’s in the public domain, I think, and it’s easy to find on Prime Video.)
Interestingly, The Hitch Hiker is considered the first film noir directed by a woman (Ida Lupino); so, if, like me, you’re interested in exploring more films created by women, thus is a great choice. (The Bigamist, considered Ida Lupino’s best film, is also available on Prime Video, and I’m planning on watching that soon.)
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