opa wrote:Thanks for the posts, guys.
After reading/watching several reviews I've ordered
this and should have it Friday. I'll report back with thoughts.
uhh. Dumb question. How do you clean records? I may swing by a music store this weekend that carries used stuff.
Hey, remove that affiliated link! Nice!
Looks like a really nice player. I dig the wood grain! Be sure to let us know how it sounds once you set it up. That's really cool that the speakers have Bluetooth. My studio monitors have Bluetooth, and I didn't realize how nice it would be to have. So just some random thoughts from a brief look at it...
People say to go with belt driven tables for listening, I think the main argument is that the motor is further away from the stylus and less likely to pick up noise. I currently have a direct drive table, and I notice no noise from the motor. Belts will eventually wear out and need replacing. Just the nature of the beast, I only mention it so you can keep that in mind. A stretched belt can affect the play speed. But it should be a long while before then.
I think that's the same model stylus that came with my current table, and it's kind of a defacto standard for a cheap stylus. And I don't say "cheap" as in "bad," it's just one of those things that can cost $10 or $1,000. I never had a problem with that way mine sounded, although I eventually swapped it out for an AT green model (don't recall the model number of the top of my head, but it's the green one LOL). And then I was gifted an Ortofon Red. I think the AT green stylus was an improvement over the white, but it's hard to say as it was probably time for a new stylus. I was always super skeptical to spend $100 on the Ortofon Red (even though it's massively hyped) and probably never would have tried one unless it was given to me. It sounds different, hard to say if it's better or not just by ear. But I can say this, it certainly tracks better. In fact, it tracks better than any other stylus I've tried up to this point. I never had any issues with the AT styli, except for a few examples. I usually pass on used records if they're too beat up, but I do have a few that are in kind of rough condition. Those are the ones that have problems with skipping. And there's a repressing of Ziggy Stardust that easily skips on the B side. But those problems went away after switching to the Ortofon Red. Anyways, not trying to sell you on some audiophile stuff, just food for thought. Give your stock stylus some use. If you end up enjoying the turntable, then maybe think about upgrading the stylus.
On the back of the tone arm is an adjustable counterweight. I highly recommend looking up a few YouTube video on how to set up a turntable correctly. The counterweight will set the tracking force. That is, how hard the stylus will ride on the record. It's an important thing to get right. You don't want it riding to hard, that can wear out the stylus and your records. But you don't want it too light, that will cause skipping. Every stylus will have a recommended tracking force spec that comes from the manufacture. I would recommend tuning not only the counterweight, but whatever else you can on your table. Here's a good video that explains all of the parts and how to set them correctly...
https://www.youtube.com/watch?v=LhLgK9YvC4EJust note that not all tables have the same amount of adjustable parts. For example, I can see in the pics that your table has a tracking force counterweight. But it doesn't appear to have a tone arm height adjustment, or removable headshell, that just means your somewhat limited on that cartridges/styli you can use. Not a big deal at all, just wanted to mention it since the above linked video points these parts out.
As for cleaning records, there's many ways. There's cleaning kits you can purchase, including wet methods. I would really only use a wet method for an excessively dirty record. Otherwise an anti static record brush is usually all you need to get the stray lint and hairs off the record (static will draw them, it's very annoying). You'll also want a stylus brush. The stylus will collect dust and hairs as you play your records, so you'll have to clean it every once in a while. What I like to do is put a record on the platter and spin it, then hold the brush on there to collect any dust or hairs.
You can look this up on YouTube, but some people use WOOD GLUE to clean their records. Basically you apply the wood glue to the entire record except for the center, using a card or something to smooth it out and hit every area. Then let the glue dry. Then, since wood glue wont bond to vinyl, you can peel it right off in one big piece. The idea is that the glue will grab any debris that might be in the grooves, and lift them out when you peel the glue off.